Research Projects

• 基盤研究(C), 01 Apr. 2022 - 31 Mar. 2025, 22K12643, 「伝道」された「西洋手芸」―明治前半期のキリスト教受容と手芸文化, 山崎 明子, 日本学術振興会, 科学研究費助成事業, 奈良女子大学, 3770000, 2900000, 870000, kaken

  対象リソースIRI
• Grant-in-Aid for Scientific Research (B), 01 Apr. 2020 - 31 Mar. 2023, 20H04447, Construction of "Asia and Gender History" and Development of "Modern and Contemporary History" Teaching Materials, 三成 美保; 粟屋 利江; 村上 薫; 小浜 正子; 鈴木 則子; 小野 仁美; 長 志珠絵; 山崎 明子; 桃木 至朗; 河上 麻由子; 野村 鮎子; 久留島 典子; 井野瀬 久美惠; 姫岡 とし子; 永原 陽子; 落合 恵美子, Japan Society for the Promotion of Science, Grants-in-Aid for Scientific Research, 17680000, 13600000, 4080000, 研究実績は、主に以下の2点である。
  （１）科研費共同研究の成果として『＜ひと＞から問う世界史』の出版に向けて、編集・執筆に着手した。本書は全3巻構成である。第1巻『「ひと」とはだれか？――身体・セクシュアリティ・暴力』（三成美保・小浜正子・鈴木則子編）、第2巻『「社会」はどう作られるか？――家族・労働・文化』（久留島典子・姫岡とし子・小野仁美編）、第3巻『「世界」をどう問うか？――地域・戦争・環境』（井野瀬久美恵・長志珠絵・粟屋利江編）である。各巻の編者はすべて本科研研究分担者である。依頼した執筆者は、本科研の研究分担者や研究協力者を中心に100名以上に及ぶ。科研研究の成果であるため、大学出版会からの刊行として執筆者の印税はなしとし、広く学校教育や大学教養教育・市民教育に資するものとする。各巻300頁程度とし、2022年冬に出版を予定している。本企画の特徴は、ジェンダー研究の成果を明確にするために、「ひと・家族・国家」という構成をとること、項目とコラムを適宜取り混ぜ、最先端の研究成果をわかりやすく読者に提供すること、アジア諸地域に関する記述を大幅に増やし、世界史の中にアジア史を位置づけることを目指したことである。
  （２）コロナ禍で対面シンポジウムが不可能になったため、本科研独自の新企画として、オンラインの国際シンポジウム「アジアジェンダー研究・ウェビナーシリーズ」（全5回程度を予定）を開始した。日英等の同時通訳を入れ、活発な議論ができるよう配慮した。第1回「家父長制についてー南アジアのジェンダー研究から」（2022年1月28日）、第２回「近代国家形成と家名ータイと日本の比較から」（2022年3月8日）を開催し、成果は本科研の専用WEBサイト（比較ジェンダー史研究会）に掲載している。招待講演は動画をアップし、コメントは文章（英訳予定）を掲載して、国際的発信を目指している。, kaken

  対象リソースIRI
• 基盤研究(C), 01 Apr. 2019 - 31 Mar. 2023, 19K12608, 手芸品の社会的価値に関するジェンダー構造, 山崎 明子, 日本学術振興会, 科学研究費助成事業, 奈良女子大学, 3380000, 2600000, 780000, 今年度は、第一に、手芸文化が他のメディアの中でいかに描かれ、消費されてきたのか、また第二に、現代社会においていかに展示され鑑賞されるのかを中心に研究を進めてきた。
  第一の問題については、映画「キルトに綴る愛」、「YARN 人生を彩る糸」、「彼らが本気で編むときは」、そして「マルタのやさしい刺繍」を分析対象として、映像作品における手芸の表象を検討した。また、漫画作品でも多様な視点から手芸文化が取り上げられていることを確認し、それらの年代的な変化を検証してきた。70年代前後の少女漫画では愛情の表象であったり、内気な少女特有の性格の表現であったものが、2000年代以降少年やサラリーマンの手芸が取り上げられるなど、手芸をする主体の変化が見られるとともに、描かれる手芸文化そのものの変容も読み取ることができた。
  第二の問題では、現代アートを中心にかつて芸術から排除されてきた手芸文化が表出するシーンが多くなり、現代社会の視覚文化において手芸はさらに多様なものとなっていることがわかる。特に女性アーティストの作品ではしばしば手芸文化が取り上げられ、イメージの固定化とその脱却が試みられていることが理解できた。一方で、固定的な手芸イメージを反復し消費するキュレーションも展開され、展覧会等でそれらを確認することができた。
  今年度もコロナの影響により十分に調査研究を進めることが難しかったが、次年度以降まとめ上げていく予定である。, kaken

  対象リソースIRI
• Grant-in-Aid for Scientific Research (B), 01 Apr. 2016 - 31 Mar. 2019, 16H03327, War and Comfort cultures - Researches of Cultural History on Practice and System of Comfort, YAMASAKI Akiko, Japan Society for the Promotion of Science, Grants-in-Aid for Scientific Research, Nara Women's University, 16770000, 12900000, 3870000, By focusing on civilians’ activities of providing “consolation” for soldiers and soldiers’ families in modern Japan, and examining women’s activities such as sending “comfort bags,” visiting sick and wounded soldiers and creating “comfort dolls,” and analyzing children’s literature during the Asia Pacific War, we reached the conclusion that those activities acted as society’s moral support for those directly engaged in the war. Thus, the system in which women provided consolation for soldiers and soldiers’ families was extremely important as a gender system to support the (male) subject who fought their war because it compensated for shortcomings of the law and the social system by providing civilian women's voluntary contributions in terms of both materials and labor., kaken

  対象リソースIRI
• Grant-in-Aid for Scientific Research (C), 01 Apr. 2015 - 31 Mar. 2018, 15K01927, Handmade and Gender in Modern Japan - Genderification of hobbies in the era of mass production -, Jinno Yuki; SHIOYA Masayuki; SHIOMI Shou; MATSUI Hiroshi; SATO Akinobu; IMADA Erika, Japan Society for the Promotion of Science, Grants-in-Aid for Scientific Research, Kanto Gakuin University, 4810000, 3700000, 1110000, In the mid-20th century when mass-produced ready-made items became readily available for purchase, handmade as self-expression became popularized. In this research, from magazine survey etc., men revealed the background that handmade hobbies called “kosaku” rise against female “shugei”. Male and female handmade has developed each area within modern gender framework. There were also cases where handmade gender was exceeded due to the influence of women's liberation movement and approaching men's family life.But handmade was difficult to become completely gender free.Today, it is also clear that a new handmade culture beyond such a gender framework has also been born., kaken

  対象リソースIRI
• Grant-in-Aid for Scientific Research (C), 01 Apr. 2013 - 31 Mar. 2016, 25360039, On gender and "tradition" visible today in contemporary Ainu art, IKEDA SHINOBU; YAMAZAKI AKIKO; NAKAGAWA HIROSHI; YOSHIHARA HIDEKI; IGARASHI SATOMI, Japan Society for the Promotion of Science, Grants-in-Aid for Scientific Research, Chiba University, 4940000, 3800000, 1140000, The issues adopted for reconsideration include the practices of transmission and history of interpretation of “tradition” that animates both the creator and the recipient of “Ainu art” looking at handiwork with thread and cloth and tree-carving. When considering these practices, it is clear that the categorization of sewing as “women’s work” and tree-carving as “men’s work” emerge in contrast with one another, granting us an understanding of Ainu society based on history. Certainly, the transmission of everyday labor divisions being underpinned by gender differences is an irreplaceable cultural memory that has come to provide the basis of Ainu ethnic identity.
  It is thought that, in modern society, appreciation of gender-differentiated work stems from the variation in economic power, which subsequently affects decision-making and practices in communities, as well as families. Therefore, I have sought to examine changes in Ainu culture through the prism of gender., kaken

  対象リソースIRI
• Grant-in-Aid for Scientific Research (A), 01 Apr. 2011 - 31 Mar. 2014, 23242015, Globalization and Transformation in the Social System of 'Art'--Toward a Construction of a Theory of Contemporary Art / Visual Culture, NAGATA KENICHI; KIMURA Rieko; SHIIHARA Nobuhiro; SATO Doshin; YAMAMOTO Kazuhiro; KUSUMI Kiyoshi; YAMASAKI Akiko; KATO Kaoru; KIDA Takuya; KUMAKURA Sumiko; FUJIKAWA Satoshi; KONO Wakana; USHIROSHOJI Masahiro; MIZUKOSHI Shin; YAMAGUCHI Shohei; MORI Yoshitaka; MORI Tsukasa; KURESAWA Takemi; JINNO Shingo; TAKENAKA Yumi, Japan Society for the Promotion of Science, Grants-in-Aid for Scientific Research, 49270000, 37900000, 11370000, The art has been understood as an "autonomous" peculiar system in the modern society. The art brings about the "global art world" , which extends over Asian countries, Russia, the former east-Europe and African countries since 1980's. "Biennale phenomenon" , which proceeds especially in non-western sphere shows symbolically this globalization. But conducted by global economy and supported by politics, the boundary of art with economy and politics at present is dissolved in amutual telescope system. Consequently the art in recent days proves its some kind of social character, such as political, communicative or economic character, in its expression or existence manner., kaken

  対象リソースIRI
• Grant-in-Aid for Scientific Research (C), 2010 - 2012, 22510288, Sight Space of Modern Japan - The politics between education and gender, YAMASAKI Akiko, Japan Society for the Promotion of Science, Grants-in-Aid for Scientific Research, Nara Women's University, 4030000, 3100000, 930000, This study examined the system and the representation of Japanese modern education from the point of view of the gender. Particularly, I paid my attention to "looking" and" expressing" in the girls' school of modern Japan, and inspected the dance education and the girls’ art education. Primarily I could place that the girl students’ dancing bodies were the medium of visual negotiations in school space. Second it was revealed that the art expressions of the girl students were differentiated from the boys’ institutionally, and the framework of art education of the boys and girls was bipolarized., kaken

  対象リソースIRI
• Grant-in-Aid for Scientific Research (A), 2008 - 2011, 20242018, Historical periphery and its harmonic coexistence : in Relation to epidemic, taboos, misogynous boundaries and the tradition of purifying rituals, SUZUKI Noriko; WAKITA Haruko; TAIRA Masayuki; UMEZAWA Fumiko; KUBOTA Masaru; MUTOU Yasuhiro; MIEDA Akiko; NARITA Ryuuichi; TAKEDA Sachiko; KOBAYASHI Takehiro; SHIRASUGI Etuo; TANIGUCHI Miki; FUKUIDA Mahito; WAKITA Osamu; HAMACHIYO Sayumi; OSA Shizue; ONABE Tomoko; SUGAYA Fuminori; YAMAZAKI Akiko; KATOU Mieko; KURIYAMA Shigehisa, Japan Society for the Promotion of Science, Grants-in-Aid for Scientific Research, Nara Women's University, 36270000, 27900000, 8370000, The present study investigated historical changes in the awareness of the female body during the process of marginalization(deterioration in socialstatus) of women in Japan's history focusing on five main aspects : medicine, sanitation, religion, geography, and childbirth/menstruation. Perspectives on the female body in traditional and modern medicine, the significance of women's roles in modern health policies, transitions in the recognition of women in Buddhism and Shinto, and the formation of community responses to impurity associated with bleeding were clarified., kaken

  対象リソースIRI